![]() But one of the surprises – and eventually, for me, one of the great pleasures – of Ritesh Batra’s The Lunchbox was that some of its most effective moments relied on visual storytelling (or as the cliché has it, “pure cinema”), requiring special engagement on the viewer’s part over and above what is being said by the characters. Just last week, I wrote about a relationship film – Shuddh Desi Romance – that was all about talking and analy sing explaining things to others, to yourself, to the viewer. ![]() When making simple distinctions between types of cinema, we often think of “character-driven” stories (vis-à-vis “action-driven” stories) as being filled with conversation or monologues.
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